THIS WILL NEVER NOT BE FUNNY
THEIR REACTIONS ALONE
dude, that was derek hale!
derek in the first and last episodes of each season
So… I was giving some jelly to my cat
My phone started ringing. Forgetting that I was holding the spoon I took the phone.
I never heard the spoon hitting the floor…
they are evolving
I need you to protect me. Can you do that?
Fine, fandom. You don’t want to gif Mako and Stacker? I’ll fucking gif Mako and Stacker, because if there was ever a relationship that carried the emotional impact of a film, it’s fucking this one. Without a doubt, we saw their relationship from start to finish and it was complete with a role reversal. Stacker protected Mako in Tokyo, and now she’s protecting him on Operation Pitfall. And this scene is just my absolute favorite because Stacker’s a soldier from top to bottom, but here we genuinely see the father that he’s become to Mako and the person she looks up to and the one she gets her strength and drive from. And without words, although the words hurt just as much, they managed to destroy me emotionally with this small gesture, a you-blink-and-you-miss-it moment: Stacker saying to Mako, “Hey. [We’ve got a job to do, let’s go do it.]” A subtle tipping of her chin; a quick, inconsequential shrug of his shoulders, and immediately Mako straightens, squares her shoulders, taking his strength as hers and they’re ready. They’re ready to save the world together. In Pacific Rim: Tales From Year Zero, Stacker comments that young Mako reminded him of himself; “Quiet, serious.” Based on this, I feel like their relationship is significantly based on their body language, and how they conduct themselves around each other. There were just volumes that were spoken about their relationship in this one scene and this one moment that it made seeing it in theaters 8 times in theaters worth it.
#oh god #the way they have their own quiet physical language because neither of them use words unless necessary #she’ll gesture to her nose to warn him his is bleeding #and he can square his shoulders and immediately she switches back from private/emotional mode to lady sword soldier mode #private little reminders and ways of speaking to each other #i just #asdfghj
The story of Meghan Howland‘s oil paintings are quiet like a secret. Her work captures understated dreamy scenes. A confusion of birds, hidden faces, a scarf that may or may not be choking its wearer – her work at once is lighthearted and hints at a darker undercurrent.
Her gallery relates, “Her paintings are often dreamlike, and yet carry a weight of something that is slightly more dissonant. The question of whether something is safe or dangerous, loving or hateful, is often unexplained in her work.”
A snapshot quality to the image, fill flash like lighting, lends the paintings the characteristic of a caught instant. However, her painterly hand stretches the moment. While definitely working a contemporary aesthetic, Howland’s paintings are at times reminiscent of Degas’ style and palette.
Bucky manages to avoid being found until one night, with no warning, he shows up in Tony’s kitchen. Tony is understandably kind of alarmed when he finds an assassin sitting at his table, but Bucky just kind of holds his arm out toward Tony and very quietly tells him, “I don’t know how to fix it myself.”
That woman in the striped shirt is us.